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墨色芙蓉 Ink Hibiscus

Architecture Photography
墨色芙蓉 Ink Hibiscus
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灰泥石磚鋪成天,一片沙簾擬山水;屏氣凝神映成面,似虛是實無需言。在西方現代的線條裡,藏著東方氣韻的骨架,一幕幕遞進與挪移,揭開神秘的面紗。

線條是比例的劃分,也是藏於無形的收納;鏤空的隔屏、折疊的門片,串連內與外的境地;廊道的林木噴砂,塑造保護同時借景引光;格柵向下延展出層架,讓閱讀、開會沈浸在秩序的框架。

迎賓大廳、咖啡廳至健身房,場域在巧妙劃分之下界定出方向;沙發、吧台至長桌,在機能之中賦予型態變化,滿足各式聚會想像。仿照白居易憶江南,將「日出江花紅勝火,春來江水綠如藍」的色彩斑斕,映現在墨色般的出水芙蓉。

The sky is paved with mortar and stone bricks, and a curtain of sand imitates the landscape; holding one’s breath and concentrating on the face reflects it, and there is no need to say whether it is virtual or real. Hidden in the modern lines of the West is the skeleton of the Eastern charm. Scenes progress and move, unveiling the mysterious veil.

Lines are proportional divisions and invisible storage; hollow partitions and folding doors connect the interior and exterior realms; the trees in the corridor are sandblasted to shape and protect while drawing in light; the grille extends downwards The shelves are laid out to allow reading and meetings to be immersed in an orderly framework.

From the reception hall, coffee shop to gym, the areas are cleverly divided to define the direction; from sofas, bar counters to long tables, the functions are given changes in form to meet the imagination of various gatherings. Following Bai Juyi’s memory of the south of the Yangtze River, the colorful colors of “the sun rises on the river and the flowers are as red as fire, and the spring comes on the river as green as blue” are reflected in the ink-colored hibiscus emerging from the water.
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設計 / 二三國際 23Design
工程 / 潤德設計 RUENTEX
攝影 / 在在創意 HO_SE
墨色芙蓉 Ink Hibiscus
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墨色芙蓉 Ink Hibiscus

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