· D E S C R I P T I O N ·
Second season of the series "Cardo" directed by Claudia Costafreda & Ana Rujas and produced by Suma Content, Javier Ambrossi and Javier Calvo for Atresmedia.
· P R O J E C T ·
I've worked as a Graphic Designer/Prop Designer within the art team led by Alfonso Mancha.
In the following images you will see the pieces that I have considered most interesting to share of all the ones in which I participated.
Graphic Design | Prop Design
The figure of Saint Teresa of Jesus is crucial in Maria's journey. We begin his path to personal redemption with this book of writings and poems with nods to the thistle flower (production title).
Sometimes your job as a prop designer is to make the process for prop buyers a little easier. Here we see a print of St. Expeditus (season 1) aged by the pass of time.
Medicines will accompany Maria on her journey as well as her prayers.
Third chapter is a turning point for Maria and for the artistic direction of the series: Entirely in black and white, one of the main pieces was this headboard (elegant, lysergic) with the usual nod to thistles.
Horror movie posters to decorate the locker room of the Theme Park staff inside the Haunted House.
On a journey by car it is important to have CD's at hand to brighten up the trip (once again we see the cold and warm colors, lysergy, the thistles…)
At Hostal "Los Tiernos" María falls into temptation and enters hell: We are totally submerged in a range of warm and grotesque images that accompany her hallucinations and experiences.
Many designs were made for the "Hospital de Albacete": identification bracelets, advertisements, signage...
The apple of my eye: "El Gambón de Miguelón". Funniest logo I've done in years, I'm just in love with this little singing shrimp.
Design for "La Salvaora" and the tuna of Madrid. Maria goes to the end accompanied by her butterflies, crosses and thistles.
Many designed pieces will hardly be seen by your eyes and many others will not appear on the screen or, finally, will not exist. Each piece (whether seen or not) is equally important in creating an environment for the actors and the overall experience of the viewer.
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