Transience
"At work, I combined my interest in history and the present. Fascinated by the unstoppable flow of time, human, technological and thought evolution and transience.
I want people to think about the natural flow of time and transience, which, however, does not necessarily have to be perceived in negative connotations. Although the past may seem distant, it is full of ordinary people who had their feelings, sorrows and joys and tried to live on. Just like us.
My paintings should include something traditional and modern at the same time.
When painting, I was inspired by classic historical painting in combination with graffiti elements.
The technique is primarily a combination of traditional oil painting and spray painting.
My work is figurative and expressive. A combination of proven art procedures and improvisation.
I enjoy the contrast between slow-drying oil paints and spray paint, which, on the other hand, dries very quickly.
I make the figurative parts with oil paints, which I intervene with a spray. I blur and cover it in different ways.
The interesting thing about this technique is that I never know what the final piece will look like.
I'm always working on several pieces at once, so I keep coming back to them and finishing them.
It often happens that in the end I am not satisfied with the result, I erase the painting and start again with a completely new design."
I want people to think about the natural flow of time and transience, which, however, does not necessarily have to be perceived in negative connotations. Although the past may seem distant, it is full of ordinary people who had their feelings, sorrows and joys and tried to live on. Just like us.
My paintings should include something traditional and modern at the same time.
When painting, I was inspired by classic historical painting in combination with graffiti elements.
The technique is primarily a combination of traditional oil painting and spray painting.
My work is figurative and expressive. A combination of proven art procedures and improvisation.
I enjoy the contrast between slow-drying oil paints and spray paint, which, on the other hand, dries very quickly.
I make the figurative parts with oil paints, which I intervene with a spray. I blur and cover it in different ways.
The interesting thing about this technique is that I never know what the final piece will look like.
I'm always working on several pieces at once, so I keep coming back to them and finishing them.
It often happens that in the end I am not satisfied with the result, I erase the painting and start again with a completely new design."
